Francisco Ribalta, Saint Francis Embracing the Crucified Christ (about 1620) Valencia, Museo de Bellas Artes (208 x 167 cm)
|
Michelangelo Merisi, called Caravaggio, St Paul's Conversion (1601) Santa Maria del Popolo, Rome (230x170 cm)
Caravaggio's interpretation of St. Paul's Conversion has often been considered highly provocative. Almost all of the canvas is dominated by a horse one of whose flanks and its crupper are illuminated by a light, the divine source of which is not indicated. At the bottom of the picture, St Paul is lying on his back, spreadeagled, still enraptured by the epiphany, which a groom next to the horse seems to be completely unaware of. |