EESE 2/97

Susanne Schmid (Berlin)

Angela Carter - a Select Bibliography

Atwood, Margaret (1992), "Magic Token through the dark forest", The Observer (23 February), 61.

Bell, Michael (1992), "Narration as Action: Goethe's 'Bekenntnisse einer schönen Seele' and Angela Carter's Nights at the Circus", German Life and Letters 45, 16-32.

Boehm, Beth A. (1995), "Feminist Metafiction and Androcentric Reading Strategies: Angela Carter's Reconstructed Reader in Nights at the Circus", Critique 37, 35-49.

Bryant, Sylvia (1981), "Re-Constructing Oedipus Through 'Beauty and the Beast'", Criticism 31, 439-453.

Clark, Robert (1987), "Angela Carter's desire machine", Women's Studies 14, 147-161.

Collick, John (1991), "Wolves Through the Window: Writing Dreams/ Dreaming Films/Filming Dreams", Critical Survey 3, 283-289.

Duncker, Patricia, "Re-Imagining the Fairy Tales: Angela Carter's Bloody Chambers", Literature and History 10, 3-14.

Fowl, Melinda G. (1991), "Angela Carter's The Bloody Chamber revisited", Critical Survey 3, 71-79.

Gamble, Sarah (1988), "How the Wolf Met His Match: Two Feminist Revisions of Little Red Riding Hood", Lore and Language 7, 23-35.

Goldsworthy, Kerryn (1985), "Angela Carter", Meanjin 44, 4-13.

Haase, Donald P. (1990), "Is Seeing Believing? Proverbs and the Film Adaption of a Fairy Tale", in Proverbium: Yearbook of International Proverb Scholarship 7, 89-104.

Haffenden, John (1985), "Angela Carter", in Novelists in Interview. London, 76-96.

Jordan, Elaine (1990), "Enthralment: Angela Carter's Speculative Fictions", in Linda Anderson (ed.), Plotting Change. Contemporary Women's Fiction. London, 19-40.

Jordan, Elaine (1992), "The dangers of Angela Carter", in Isobel Armstrong (ed.), New Feminist Discourses: Critical Essays on Theories and Texts. London, 119-131.

Landon, Brooks (1986), "Eve at the End of the World: Sexuality and the Reversal of Expectations in Novels by Joanna Russ, Angela Carter, and Thomas Berger", in Donald Palumbo (ed.), Erotic Universe. Sexuality and Fantastic Literature. Westport, 61-74.

Lathers, Marie (1993), "Fin-de-siècle Eves in Villiers de l'Isle-Adam and Angela Carter", in David Bevan (ed.), Literature and the Bible. Amsterdam, 7-27.

Lewallen, Avis (1988), "Wayward Girls but Wicked Women? Female Sexuality in Angela Carter's The Bloody Chamber", in Gary Day/Clive Bloom (eds.), Perspectives on Pornography. Sexuality in Film and Literature. Houndsmill, 144-157.

Lokke, Kari E. (1988), "Bluebeard and The Bloody Chamber: The Grotesque of Self-Parody and Self-Assertion", Frontiers. A Journal of Women Studies 10, 7-12.

Maack, Annegret (1987), "Angela Carter", in Rüdiger Imhof/Annegret Maack (eds.), Der englische Roman der Gegenwart. Tübingen, 226-244.

Makinen, Merja (1992), "Angela Carter's The Bloody Chamber and the Decolonialization of Feminine Sexuality", Feminist Review 42, 2-15.

McEwan, Ian (1984), "Sweet Smell of Excess", The Sunday Times Magazine (9 September), 42-44.

Millard, Elaine (1989), "French Feminisms", in Sara Mills/Lynne Pearce/Sue Spaull/Elaine Millard (eds.), Feminist Readings/Feminists Reading. New York, 154-186.

Neumeier, Beate (1992), "Postmodern Gothic: Desire and Reality in Angela Carter's Writing", anglistik & englischunterricht 48, 89-98.

Palmer, Paulina (1987), "From 'Coded Mannequin' to Bird Woman: Angela Carter's Magic Flight", in Sue Roe (ed.), Women Reading Women's Writing. Brighton, 179-205.

Punter, David (1984), "Angela Carter: Supersessions of the Masculine", Critique 25, 209-223.

Rey, Santiago del (1991), "Feminismo y brujerña. Entrevista con Angela Carter", Quimera 102, 20-27.

Robinson, Sally (1991), Engendering the Subject: Gender and Self-Representation in Contemporary Women's Fiction. Albany, 21-24 and 77-134.

Rose, Ellen Cronan (1983), "Through the Looking Glass: When Women Tell Fairy Tales", in Elizabeth Abel/Marianne Hirsch/Elizabeth Langland (eds.), The Voyage In: Fictions of Female Development. Hanover, 209-227.

Sage, Lorna (1977), "The Savage Sideshow: A Profile of Angela Carter" New Review 39/40, 51-57.

Sage, Lorna (1992), "Angela Carter", in Women in the House of Fiction. Postwar Women Novelists. London, 168-177.

Sage, Lorna (1994), Angela Carter. Plymouth.

Sage, Lorna, ed. (1994), Flesh and the Mirror. Essays on the Art of Angela Carter. London.

Schmid, Susanne (1992), "Subversive Phantasie und demontierte Mythen. über die postmoderne Autorin Angela Carter", Hard Times 47, 34-37.

Schmid, Susanne (1996), "Angela Carter: 'Mythomania' and 'Demythologising'", in Neil Thomas/Françoise Le Saux (eds.), Myth and Its Legacy in European Literature, Durham Modern Language Series German, 6. Durham, 145-157.

Schmid, Susanne (1996), Jungfrau und Monster. Frauenmythen im englischen Roman der Gegenwart, Geschlechterdifferenz & Literatur, 6. Berlin.

Schmidt, Ricarda (1989), "The journey of the subject in Angela Carter's fiction", Textual Practice 3, 56-75.

Siegel, Carol (1991), "Postmodern Women Novelists Review Victorian Male Masochism", Genders 11, 1-16.

Snitow, Ann (1989), "Conversation With a Necromancer", Village Voice Literary Supplement 75 (June), 14-17.

Spaull, Sue/Millard, Elaine (1989), "The Anxiety of Authorship", in Feminist Readings, 122-153.

Todd, Richard (1989), "Convention and Innovation in British Fiction 1981-1984: The Contemporaneity of Magic Realism", in Theo D'haen/Rainer Grübel/Helmut Lethen (eds.), Convention and Innovation in Literature, Utrecht Publications in General and Comparative Literature, 24. Amsterdam, 361-388.

Turner, Rory (1987), "Subjects and Symbols: Transformations of Identity in Nights at the Circus", Folklore Forum 20, 39-60.

Vallorani, Nicoletta (1994), "The Body of the City: Angela Carter's The Passion of New Eve", Science-Fiction Studies 21, 365-379.

Wagener, Christel (1993), "Story in a Story: Märchen und Mythen bei Angela Carter", anglistik & englischunterricht 50, 115-130.

Wisker, Gina (1984), "Woman Writer, Woman Reader, Male Institution. The Experience of a Contemporary Women's Writing Seminar", Journal of Literature Teaching Politics 3, 18-32.

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