Table of Contents - EESE 1996

1. Eastern and Western Story-Telling in Salman Rushdie's Haroun and the Sea Stories
   Thomas Kullmann (Göttingen)

2. Translation in the Context of Sociocultural Norms - Stephen Crane's The Red Badge of Courage in an East German Translation
   Gariele Pisarz-Ramírez (Leipzig)

3. 'I don't see much point in writing a novel unless the reader works.' An Interview with Adam Thorpe
   Sabine Hagenauer (Erlangen)

4. The Case for Computer-Aided Textual Analysis
   Françoise Deconinck-Brossard (Paris-Nanterre)

5. A Humanist Travelling in Cyberspace
   Paul A. Fortier (Winnipeg)

6. English Plays on the Gotha Stage:
   Friedrich Wilhelm Gotter's Translation of Benjamin Hoadly's Comedy The Suspicious Husband
   Thorsten Unger (Göttingen)

7. Multi-Culture or Cultural Difference?
   New Concepts of World Literature and Translation in a Post-Colonial Perspective
   Doris Bachmann-Medick (Göttingen)

8. Patterns of Sadomasochism and Fashion-fetishism in The Taming of the Shrew
   Nina Taunton (Twickenham)

9. What the Architecture Said:
   A Benjaminian Reading of Ezra Pound's Quest for the Paradiso
   William M. Northcutt (Bayreuth)

10. 'Utopian Pluralism': A Systematic Approach
    to the Analysis of Pluralism in the Debate about Thomas More's Utopia
    Peter Wenzel (Aachen)

11. Information Technology New and Old:
    James Patrick Kelly's Big Guy and E. M. Forster's The Machine Stops
    Frank Borsch (Freiburg)

12. "The far side of the mirror":
    Peter Greenaway's Prospero's Books
    Herbert Klein (Berlin)

13. Bringing "this monstrous birth to the world's light":
    Colonial mimicry in early modern writing
    Sabine Schülting (Brighton)