The Erfurt Centre of Cinema Studies Short-Title Catalogue 1997 1. Aaronson, Charles S. (ed.). International Motion Picture Almanac 1967. New York: Quigley Publications, 1966. 2. Ackland, Rodney and Elspeth Grant. The Celluloid Mistress or The Custard Pie of Dr. Caligari. London: Allan Wingate, 1954. 3. Adler, Renata. A Year in the Dark. Journal of a film critic 1968-69. New York: Random House, 1969. 4. Agate, James. Around Cinema. (Second series). Amsterdam: Home & Van Thal, 1948. 5. L'ƒge du cin‚ma. Revue d'art cin‚matographique. Num‚ro 4-5, 1951. Paris: Adonis Kyrou, 1951. 6. L'ƒge nouveau. Id‚es lettres et arts. No. 93: Devenir du cin‚ma. Paris: L'Age Nouveau, 1955. 7. Agel, Henri. Le cin‚ma. Tournai, Paris: Casterman, 1954. 8. Agel, Henri. Le cin‚ma a-t-il une ƒme? Paris: Editions du Cerf, 1952. 9. Agel, Henri. Le cin‚ma et le sacr‚. Postface par M. l'Abb‚ and A. Ayfre. Paris: Editions du Cerf, 1953. 10. Agel, Henri. Esth‚tique du cin‚ma. Paris: Presses Universitaires de France, 1957. 11. Agel, Henri. Les grands cin‚astes. Paris: Editions Universitaires, 1959. Agel, Henri. Les grands cin‚astes. Que je propose. Paris: Editions du Cerf, 1967. Agel, Henri, Freddy Buache, Pierre Kast et al. Du cin‚matographe au septiŠme art. Cinq conf‚rences donn‚es a l'Universit‚ de GenŠve. Le cin‚ma muet. Le cin‚ma sonore. R‚alisateur et r‚alisation. G‚ographie du cin‚ma. Langage et style cin‚matographiques. Lausanne: Cin‚mathŠque Suisse, 1959. Agel, Henri and GeneviŠve. Voyage dans le cin‚ma. N.p.: Castermann, 1962. Aguirre, Javier. Anti-cine. Apuntespara una Teoria. Madrid: Editorial Fundamentos 1972. Ajame, Pierre. Les critiques de cin‚ma. Paris: Flammarion, 1967. - Aktery sarubjeschnowo kino. Brigitte Bardot, Eva-Ruttkau etc. Moskwa: Iskusstwo, 1965. Albertson, Lillian. Motion Picture Acting. New York: Funk & Wagnalls, 1947. Alcover, N. and Angel A. Perez Gomez. Hallazgos falacias y mixtificaciones del cine de los '70. Bilbao: Mensajero, 1975. Alicoate, Jack.(ed.). The 1934 Film Daily Year Book of Motion Pictures. New York: Film Daily, 1934. Allan, Angela and Elkan. The Sunday Times Guide to Movies on Television. Foreword by Dilys Powell. London: Times Newspapers Limited, 1973. Almanach cin‚monde 1953. Paris: Presse Cin‚matographique, 1952. Almanach cin‚monde 1954. Paris: S.T.A.C., 1953. Aloguin, Maria Ant¢nia, Josep Enric Monterde and Esteve Riambau. Antologia de textos i manifestes cinematogr…fics. Vol. 1: Dels inicis al neorrealisme. Matar¢: Editcions Robrenyo, 1978. Altenloh, Emilie. Zur Soziologie des Kino. Die Kino-Unternehmung und die sozialen Schichten ihrer Besucher. Jena: Eugen Diederichs, 1914. Amelio, Ralph J., Anita Owen and Susan Schaefer. Willibrook Cinema Story Project. Dayton: Geo A. Pflaum Publishers, 1970. L'amour de l'art. Revue d'art. Nouvelle s‚rie nos. 37-39: Cin‚ma. Paris: Soci‚t‚ des Publications P‚riodiques de l'I.P.D., 1949. Anderson, Lindsay (ed.). Making a Film. The story of "Secret People". Together with the shooting script of the film by Thorold Dickinson and Wolfgang Wilhelm. London: George Allen and Unwin, 1952. Anglo, Michael. Nostalgia Spotlight on the Fifties. London: Jupiter Books, 1977. Annan, David. Cinefantastic. Beyond the dream machine. London: Lorrimer Publishing, 1974. 40ø Anniversario della cinematografia (1895 - 1935). Roma: Sottosegretariato di Stato per la Stampa e la Propaganda-Direzione Generale per la Cinematografia, 1935. Anstey, Edgarp Roger Manvell, Ernest Lindgren et al. (eds.). Shots in the Dark. A collection of reviewers' opinions of some of the leading films released between January 1949 and February 1951. London: Allan Wingate for the British Branch of The International Federation of Film Critics, 1951. Anthologie du cin‚ma. Tome II - IV. Paris: L'Avant-ScŠne, 1967-1968. Argangen, F”rsta. Smalfilm 63. Arsbok f”r amat”r-, industri- och undervisningsfilm. Stockholm, Nordisk Rotogravyr, 1962. Aristarco, Guido. L'arte del film. Antologia, storico, critica. Milano, Roma: Bompiani, 1950. Arlaud, Rodolphe-Maurice. Cin‚ma-bouffe. Le cin‚ma et ses gens. Paris: Jacques Melot, 1945. Arnau, Frank (ed.). Universal Filmlexikon. Universal Film Lexicon.Lexique Universel du Film. 1933. Berlin: Universal Filmlexikon, London: London General Press, Paris: Direction G‚n‚rale pour la France, 1933. Arnheim, Rudolf. Film als Kunst. Berlin: Ernst Rowohlt, 1932. Arnheim, Rudolf. Film as Art. Berkeley, Los Angeles: University of California Press, 1957. Arnoux, Alexandre. Du muet au parlant. M‚moires d'un t‚moin. Paris: La Nouvelle Edition, 1945. Artel, Linda J. and Kathleen, Weaver (eds.). Film Programmer's Guide to 16mm Rentals. San Francisco: San Francisco Community Press, 1972. Artsept. No. 1: Un cin‚ma r‚el. Lyon: Librairie La Proue, 1963. Artsept. No. 2: Le cin‚ma et la v‚rit‚. Lyon: Librairie La Proue, 1963. . Ashford, Gerald. Everyday Publicity: A Practical Guide New York: Law-Arts Publishers, 1970. Astre, G.-A., C. Gauteur and M. Mourlet. Cin‚ma et roman. El‚ments d'appr‚ciation. I - Les deux langages. II - ProblŠmes de l'adaption. III - Echanges et convergences. Paris: Lettres Modernes, 1958. Audiberti, Jacques, Marcel Brion, Paul Roques et al. Baroque et cin‚ma. Paris: M.J.Minard, 1960. Aumont, Jean-Pierre. Souvenirs provisoires. Paris: Ren‚ Julliard, 1957. Auriol, G.-A., Jean-Louis Bouquet, Charles Burguet et al. Le cin‚ma des origines a nos jours. Pr‚face de Henri Fescourt. Paris: Editions du Cygne, 1932. . Ayfre, Am‚d‚e. Conversion aux images? Les images et dieu. Les images et l'homme. Paris, Editions du Cerf, 1964. Aznar, Jos‚ Cam¢n. La cinematografia y las artes. Madrid: Instituto Diego Velazquez, 1952. Baddeley, H. How to Edit. Amateur Films. London, New York: Focal Press, 1951. Baddeley, Hugh W. The Technique of Documentary Film Production. With a preface by Paul Rotha. London, New York: Focal Press, 1963. B„chlin, Peter. Der Film als Ware. Basel: Burg-Verlag, 1945. B„chlin, Peter. Histoire ‚conomique du cin‚ma. Introduction et traduction Fran‡aise de Muller-Strauss. Paris: La Nouvelle Edition, 1947. B„chlin, Peter and Maurice Muller-Strauss. La presse film‚e dans le monde. Paris: Unesco, 1951. Bagier, Guido. Der kommende Film. Eine Abrechnung und eine Hoffnung.Was war? Was ist? Was wird? Stuttgart, Berlin, Leipzig: Deutsche Verlags-Anstalt, 1928. Bagier, Guido. Das t”nende Licht. Roman. Die Schilderung einiger seltsamer Begebenheiten seit der Erfindung der Kinematographie, unter Verwendung wichtiger und unbekannter Dokumente. Berlin-Wilmersdorf: August Gross, 1943. Bailyn, Lotte. Mass Media and Children: A Study of Exposure Habits and Cognitive Effects. Washington: American Psychological Association, 1959. Bal zs, B‚la. Der Film. Werden und Wesen einer neuen Kunst. Wien: Globus-Verlag, 1949. Bal zs, B‚la. Der Geist des Films. Halle. Wilhelm Knapp, 1930. Bal zs, B‚la. Widimyi tschelowek. (Der sichtbare Mensch). Otscherki dramatyrgii filma. Perewod s nemezkowo K.I. Schutko. Pog redakziej i s predislowiem B.M. Blumenfelda. Moskwa: Wserossiiskii Proletkult, 1925. Balcon, Michael. Film Production and Management. London, British Institute of Management, 1950. Balcon, Michael. Michael Balcon Presents ... A Lifetime of Films. London: Hutchinson, 1969. Baldelli, Pio, Galvano Della Volpe etc. Problemas del nuevo cine. Selecci¢n y pr¢logo de Manuel P‚rez Estremera. Madrid: El Libro de Bolsillo Alianza Editorial, 1971. Barbaro, Umberto. Soggetto e sceneggiatura. Roma, Edizioni dell'Ateneo, 1947. Barbour, Alan G. Days of Thrills and Adventure. An affectionate pictorial history of the movie serial ... from the heydays of the 1930s & '40s to the final curtain call in the mid '50s... from Ace Drummond to Zorro. London: Collier-Macmillan, 1970. Barbour, Alan G. The Wonderful World of B-Films. Kew Gardens: Screen Facts Press, 1968. BardŠche, Maurice and Robert Brasillach. Histoire du cin‚ma. 2 vols. Paris: Andr‚ Martel, 1953-1954. BardŠche, Maurice and Robert Brasillach. The History of Motion Pictures. Translated and edited by Iris Barry. New York: W.W. Norton & Company and The Museum of Modern Art, 1938. Bardem, Juan Antonio. Comicos. Con un pr¢logo de Jorge Torras. Barcelona: Aym  S.A. Editora, 1964. Barjavel, Ren‚. Cin‚ma total. Essay sur les formes futures du cin‚ma. Paris, Editions Deno‰l, 1944. Barnouw, Erik. Documentary. A history of the non-fiction film. New York: Oxford University Press, 1974. Barnouw, Erik. Mass Communication. Television, Radio, Film, Press. The media and their practice in the United States of America. New York, Toronto: Rinehart & Company, 1956. Barnouw, Erik and S. Krishnaswamy. Indian Film. New York, London: Columbia University Press, 1963. Barsacq, L‚on. Caligari's Cabinet and Other Grand Illusions. A history of film design. Revised and edited by Elliott Stein. Foreword by Ren” Clair. New York, London, Scarborough: New American Library, 1978. Barsacq, L‚on. Le d‚cor de film. Pr‚face de Ren‚ Clair. Histoire, technique, esth‚tique etc. Paris: Seghers, 1970. Barsam, Richard Meran. In the Dark. A primer for the movies. New York: Viking Press, 1977. Barsam, Richard Meran. Nonfiction Film. A critical history. Foreword by Richard Dyer MacCann. New York: E.P.Dutton & Co., 1973. Barton, J. Animating for Fun and Analysis of the Species. London: Stockbook Company, 1957. Bartosch, Georg M. and Robert Backheuer. Handbuch fr den Filmtheaterbesitzer 1952. Wiesbaden: Zentralverband der Deutschen Filmtheater e.V., 1952. Bataille, Maurice-Robert and Claude Veillot. Cam‚ras sous le soleil. Alger, 1956. Battison, John H. Movies for TV. New York: Macmillan Company, 1950. Batty, Linda. Retrospective Index to Film Periodicals 1930-1971. New York, London: R.R.Bowker Company, 1975. Batz, Jean-Claude. A propos de la crise de l'industrie du cin‚ma. Bruxelles: Etudes du Centre National de Sociologie du Travail, Section "Loisir et culture modernes", Universit‚ Libre de Bruxelles, 1963. Bawden, Liz-Anne (ed.). rororo Filmlexikon. Filmbeispiele, Genres, L„nder, Institutionen, Technik, Theorie, Regisseure, Schauspieler, Kameraleute, Produzenten, Autoren. 6 vols. Reinbek: Rowohlt, 1978. Baxter, John. The Australian Cinema. Sydney, London, Melbourne etc.: Pacific Books, 1970. Bayer, William. The Great Movies. London, New York, Toronto etc.: Ridge Press Book, Hamlyn, 1973. Bazin, Andr‚. Qu'est-ce que le cin‚ma ?, 4 vols. Paris: Editions du Cerf, 1958, 1962. Bazin, Andr‚. What is Cinema? Essays selected and transl. by Hugh Gray, 2 vols. Berkeley and Los Angeles: University of California Press, 1967-1971. Bazin, A, J. Doniol-Valcroze, G. Lambert etc. Cin‚ma 53. A travers le monde. Paris: Editions du Cerf, 1954. Beaume, Georges. Vedettes sans Maquillage. Paris: La Table Ronde, 1954. Bellingroth, Friedhelm. Triebwirkung des Films auf Jugendliche. Einfhrung in die analytische Filmpsychologie auf Grund experimenteller Analysen kollektiver Triebprozesse im Filmerleben. Bern, Stuttgart: Hans Huber, 1958. Bellone, Julius (ed.). Renaissance of the Film. London: Collier-Macmillan, 1970. Besonders wertvoll. Die in der Zeit vom 1.2.1956 bis 31.1.1959 mit dem Pr„dikat "Besonders wertvoll" ausgezeichneten kurzen und abendfllenden Kultur-, Dokumentar-, Lehr- und Jugendfilme. Wiesbaden-Biebrich: Filmbewertungsstelle Wiesbaden, 1960 Besonders wertvoll. Spielfilme. Wiesbaden-Biebrich: Filmbewertungsstelle Wiesbaden, 1963. Bellour, Raymond and Jean-Jacques Brochier. Dictionnaire du cin‚ma. Liminaire de Carl Th. Dreyer. Paris: Editions Universitaires, 1966. Benayoun, Robert. Le dessin anim‚ aprŠs Walt Disney. Paris: J.-J. Pauvert, 1961. Benoit-L‚vy, Jean. Les grandes missions du cin‚ma. Montr‚al: Lucien Parizeau & Cie, 1945. Berthomieu, Andr‚. Essay de grammaire cin‚matographie. Pr‚face de Muller-Strauss. Paris: La Nouvelle Edition, 1946. Bessy, Maurice. Histoire en 1000 images du cin‚ma. Paris: Pont Royal, 1962. Bessy, Maurice. Les truquages au cin‚ma. Pr‚face d'Orson Welles. Recherches et documentation d'herv‚ le boterf. Paris: Editions Prisma, 1951. Bessy, Maurice and Jean-Louis Chardans. Dictionnaire du cin‚ma et de la t‚l‚vision. 4 vols. Paris: Jean-Jacques Pauvert, 1965-1971. Better Movies in Minutes. New movies without movie lights. Rochester: Eastman Kodak Company, 1972. Betti, Liliana, Ornella Volta and Bernadino Zapponi. Tre passi nel delirio di F. Fellini, L. Malle, R. Vadim. Bologna: Cappelli, 1968. Beyfuss, E. and A. Kossowsky (ed.). Das Kulturfilmbuch. Berlin: Carl P. Chryselius'scher Verlag, 1924. Billard, Pierre. Vamps. Levallois: Soci‚t‚ d'Editions R.T.M., 1958. Bird, John H. Cinema Parade. Fifty years of film shows. Birmingham: Cornish Brothers, 1947. Blakeston, Oswell. How to Script. Amateur Films. Introduced by Paul Rotha. London, New York: Focal Press, 1949. Blakeston, Oswell (ed.). Working for the Films. London, New York: Focal Press, 1947. Bluestone, George. Novels into Film. Baltimore: Johns Hopkins Press, 1957. Blum, Daniel. A Pictorial History of the Silent Screen. New York: G. P. Putnam's Sons, 1953. Blum, Daniel. A Pictorial History of the Talkies. New York, G.P.Putnam's Sons, 1958. Blum, Daniel. A Pictorial History of the Talkies. Revised by John Kobal. New York: Spring Books, 1968. Blumer, Herbert and Philip M. Hauser. Movies, Delinquency, and Crime. New York: Macmillan, 1933. Bobker, Lee R. Elements of Film. New York, Chicago, San Francisco etc.: Harcourt, Brace & World, 1969. Bode, Walter. Das kleine Filmlexikon. Ein Taschenbuch ber das gesamte Filmwesen. Frankfurt, Wien, Humboldt-Verlag, 1954. Bohn, Thomas W., Richard L. Stromgren and Daniel H. Johnson. Light and Shadows. A history of motion pictures. New York: Alfred Publishers, 1975. B”rge, Vagn. Weltmacht Film. Das geistige Gesicht einer neuen Kunst. Wien, Austria-Edition, 1960. Bolen, Francis. Films on Art. Panorama 1953. In collaboration with the International Art Film Federation and Denis Forman. Paris: United Nations, Educational, Scientific and Cultural Organisation, 1953. Bollman, Gladys and Henry. Motion Pictures for Community Needs. A practical manual of information and suggestion for educational religious and social work. New York: Henry Holt and Company, 1922. Boost, C. Film. Amsterdam: Contact, n.d. Boudjedra, Rachid. Naissance du cin‚ma alg‚rien. Paris: Frangois Maspero, 1971. Boussinot, Roger. L'encyclop‚die du cin‚ma. Paris: Bordas, 1967. Bovay, George-Michel. Cin‚ma un oeil ouvert sur le monde. Lausanne: la Guide du Livre, 1952. Boy's-Cinema Annual 1950. London: Fleetway House, 1950. Braak, Menno ter. De absolute film. Rotterdam: W.L. en J. Brusse's Uitgeversmaatschappij, 1931. Brakhage. Metaphors on Vision. Edited with an introduction by P. Adams Sitney. N.p.: Film Culture, 1963. Brazier, Marion Howard. Stage and Screen. Boston: M.H. Brazier Publisher, 1920. Brodbeck, Emil E. Handbook of Basic Motionpicture Techniques. New York, London, Toronto: McGraw-Hill Book Company, 1950. Brode, Douglas. The Film of the Fifties. Sunset Boulevard to On the Beach. Secaucus: Citadel Press, 1976. Brosnan, John. Movie Magic. The story of special effects in the cinema. London: Macdonald, 1974. Brown, Ben W. Theatre at the Left. Providence: Bear Press, 1938. Bruckberger, R.-L. Lettre sur le cin‚ma et le tr‚sor mystique de l'‚glise. Paris: Bruckberger, 1960. Brne, Klaus (ed.). Filmanalysen 1. Eine Auswahl fr die Jugendarbeit. Dsseldorf: Verlag Haus Altenberg, 1961. Brumagne, Marie-Magdeleine. Jeune cin‚ma tch‚coslovaque. Lyon: Serdoc, 1969. Brunel, Adrian. Film Script. The technique of writing for the screen. London: Burke Publishing Company, 1948. Brusendorff, Ove. Filmen. Dens Navne og Historie. 3 vols. in 5 units. Kobenhavn: Universal-Forlaget, 1940. Buchanan, Andrew. Film and the Future. London: George Allen and Unwin, 1945. Buchanan, Andrew. Film-Making from Script to Screen. London: Phoenix House, 1951. Bucher, Edmund and Albrecht Kindt (eds.). Film-Photos wie noch nie. Giessen: Kindt & Bucher Verlag, 1929. Buchner, Hans. Im Banne des Films. Die Weltherrschaft des Kinos. Mnchen: Deutscher Volksverlag Dr. E. Boepple, 1927. Bunte Film Bilder. Dresden: Cigaretten-Bilderdienst, 1936. Burch, No‰l. Praxis del cine. Madrid,: Editorial Fundamentos, 1972. Burch, No‰l. Theory of Film Practice. Translated by Helen R. Lane. Introduction by Annette Michelson. London: Secker & Warburg, 1973. Burder, John. The Technique of Editing 16 mm. Films. New York: Hastings House, 1971. Butler, Ivan. The Making of Feature Films. A guide. Harmondsworth: Penguin Books, 1971. Butler, Ivan. Religion in the Cinema. New York: A.S. Barnes & Co.; London, A. Zwemmer, 1969. Butler, Ivan. Silent Magic. Rediscovering the silent film era. Foreword by Kevin Brownlow. London: Columbus Books, 1987. Butler, Ivan. The War Film. South Brunswick, N.Y.: A.S.Barnes and Company; London: Tantivy Press, 1974. Calendoli, Giovanni. L'Attore. Storia di un arte. Roma: Edizioni dell'Ateneo, 1959. Callenbach, Ernest. Our Modern Art, the Movies. Chicago: Center for the Study of Liberal Education for Adults, 1955. Cameron, Ian, Jean Chabot, Michel Ciment etc. Second Wave. London: Studio Vista, 1970. Cameron, James R. Motion Picture Projection. An elementary text book. New York: Technical Book Company, 1922. Cameron, James R. Motion Picture Projection and Sound Pictures. Introduction by Alfred N. Goldsmith. Woodmont: Cameron Publishing Company, 1933. Cameron, Ken. Sound and the Documentary Film. With a foreword by Cavalcanti. London: Isaac Pitman & Sons, 1947. Campell, Russell (ed.). Photographic Theory for the Motion Picture Cameraman. London: A. Zwemmer; New York: A.S. Barnes & Co., 1970. Campell, Russell (ed.). Practical Motion Picture Photography. Introduction by Walter Lassally. London: A. Zwemmer; New York: A.S. Barnes & Co., 1970. Cantril, Hadley. The Invasion from Mars. A study in the psychology of panic. With the complete script of the famous Orson Welles broadcast. Princeton: Princeton University Press, 1947. Caparr¢s Lera, Jos‚ Ma. El cine politico. Visto despu‚s del franquismo. Barcelona: Dopesa, 1978. Carey, Gary. Lost Films. New York: Museum of Modern Art, 1970. Carnelutti, Francesco. Nouvelles reflexions sur la cin‚matographie et la civilisation. Venezia: Fondazione Giorgio Cini, 1959. Carrick, Edward. Designing for Films. London, New York: Studio Publications, 1949. Carson, Robert. The Magic Lantern. New York: Henry Holt and Company, 1952. Cary, John. Spectacular! The story of epic films. Edited by John Kobal. London, New York, Sydney etc.: Hamlyn, 1974. Casas, F. Vizcaino. Celuloide casi virgen. Madrid: Ediciones Espejo, 1970. Cayrol, Jean and Claude Durand. Le droit de regard. Paris: Editions du Seuil, 1963. Cendrars, Blaise. L'ABC du cin‚ma. Paris: Ecrivains R‚unis, 1926. Ceram, C. W. Eine Arch„ologie des Kinos. Reinbek: Rowohlt Verlag, 1965. Ceram, C. W. Archaeology of the Cinema. New York: Harcourt, Brace & World, n.d. Chapman, William McK. (ed.). Films on Art 1952. New York: American Federation of Arts in association with The Spaeth Foundation, 1952. Charensol, Georges. Le cin‚ma. Avec la collaboration de Raymond Barkan, Maurice Bessy, Pierre Boyer etc. Paris: Librairie Larousse, 1966. Charensol, Georges. Panorama du cin‚ma. Paris: Editions Kra, 1930. Charensol, Goerges. Panorama du cin‚ma. Paris: Jacques Melot, 1947. Chauvet, Louis, Jean Fayard and Pierre Mazars. Le cin‚ma … travers le monde. Paris: Hachette, 1961. Chenal, Pierre. Drames sur celluloid. Paris: Les Perspectives, 1929. Chevalier, Denys. J'aime le dessin anim‚. Paris: Editions Deno‰l, 1962. Chevalier, Jacques. Regards neufs sur le cin‚ma. Paris, Editions du Seuil, 1953. Chiarini, Luigi. Art i tŠcnica del film. Barcelona: Edicions 62, 1967. Chiarini, Luigi. Panorama del cinema contemporaneo 1954-1957. Roma: Bianco e Nero, 1957. Chresta, Hans. Filmerziehung in Schule und Jugendgruppe.Grundlagen, Methode, Arbeitsunterlagen. Mit Beitr„gen von Hanspeter Manz und Rudolf Suter. Solothurn: Schweizer Jugend-Verlag; Stuttgart, Eulen-Verlag, 1963. Cin‚-Digest. Cin‚ma et la t‚l‚vision dans le monde. Num‚ro sp‚cial. Paris: Cin‚-Digest, 1950. Le cin‚ma. Paris: Librairie Hachette, 1925. Le Cin‚ma, fait social. XXVIIe Semaine Social Universitaire du 20 au 25 avril 1959. Bruxelles: Universit‚ Libre de Bruxelles, Institut de Sociologie Solvay, 1960. Cin‚ma d'aujourd'hui. CongrŠs International du cin‚ma … Bƒle. GenŠve, Paris: Editions des Trois Collines, 1945. Cin‚ma 1943. Paris: Oeuvres Sociales du Cin‚ma for Comit‚ d'Organisation de l'industrie Cin‚matographique, 1943. Cin‚ma 1945. Paris: Oeuvres Sociales du Cin‚ma, 1945. The Cinema Preview of 1951. London: Cinema Press, 1951. 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Val Lewton: The Reality of Terror. London: Secker and Warburg, 1972. McArthur, Colin. Underworld U.S.A. London: Secker and Warburg, 1972. McCarty, John. Splatter Movies. Breaking the Last Taboo of the Screen. Bromley: Columbus Books, 1984. McClure, Arthur F. and Ken D. Jones. Heroes, Heavies and Sagebrush. A picturial history of the "B" western players. South Brunswick, N.Y.: A.S. Barnes and Company; London, Thomas Yoseloff, 1972. Mamoulian, Rouben. Dr. Jekyll and Mr. Hyde. Starring Frederic March. Edited by Richard J.Anobile. New York: Universe Books, 1975. Metro-Goldwyn-Mayer and Cinerama (pres.). HOW the West Was Won. New York: Random House, 1963. Matthews, Leonard. History of Western Movies. London: W.H. Smith, 1984. Naha, Ed. Horrors from Screen to Scream. An Encyclopedic Guide to the Greatest Horror and Fantasy Films of all Time. New York: A Flaire Book, publ. by Avon Books, 1975. Neugebauer, Peter. Vivat Vampir! Ein Fotobuch ber sonderbare Filmlieblinge von Dracula bis Frankenstein. Mit einem Vorwort von Loriot. Zrich: Diogenes, 1963. Newman, Kim. Nightmare Movies. Wide horror since 1968. New York: Proteus Books, 1984 Parkinson, Michael and Clyde Jeavons. A Pictorial History of Westerns. Special picture research by John Kobal. London, New York, Sydney, etc.: Hamlyn, 1972. Pirie, David. The Vampire-Cinema. London, New York, Sydney etc.: Hamlyn, 1978. Pohle, Robert W. and Douglas C. Hart. Sherlock Holmes an the Screen. The motion picture adventures of the world's most popular detective. South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1977. Pr‚dal, Ren‚. Le cin‚ma fantastique. Paris: Seghers, 1970. Prodolliet, Ernest. Kleines Lexikon des Wilden Westens. Geschichte und Filme. Zrich: Sanssouci, 1963. Reisner, Bob. The Brave Ghouls. Indianapolis, New York: Bobbs-Merrill Company, 1960. Rieupeyrout Jean-Louis. Le western ou le cin‚ma am‚ricain par exellence. 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Eine Darstellung. Mannheim: Verband der deutschen Filmklubs e.V., 1966. Sarris, Andrew. The Films of Josef von Sernberg. Garden City: Doubleday & Co. for the Museum of Modern Art New York, 1966. Weinberg, Herman G. Josef von Sternberg. Propos de Josef von Sternberg. Paris: Seghers, 1966. Weinberg, Herman G. Josef von Sternberg. A critical study. New York: E.P. Dutton & Co., 1967. Stroheim, Erich von. The Complete Greed. A reconstruction of the film in 348 still photos and the originalscreenplay. Plus 52 production stills. Compiled and annotated with a foreword by Herman G. Weinberg. New York: E.P. Dutton & Co., 1973. Stroheim, Erich von. Les feux de la Saint-Jean. 2 vols. Traduit de l'anglais par Ren‚e Nitschke. Paris: Andr‚ Martel, 1951-1954. Stroheim, Erich von. Greed. A film. Edited by Joel W.Finler. London: Lorrimer Publishing, 1972. Stroheim, Erich von. Paprika. Traduction et adaption fran‡aise de Jacqueline Odile Verly. Paris: Andr‚ Martel, 1948. Stroheim, Erich von. Poto-Poto. 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Translated from the French by Roger Greaves. London: Thames and Hudson, 1969. Fantastique et r‚alisme dans le cin‚ma allemand 1912-1933. Cataloque de la r‚trospective pr‚sent‚e par le Mus‚e du Cin‚ma de la Staatliches Filmarchiv der Deutschen Demokratischen Republik et la Cin‚mathŠque Royale de Belgique. Bruxelles, mars et avril 1969. Bruxelles: Mus‚e du Cin‚ma, 1969. Fassbinder, Rainer Werner. Querelle. The film book. Edited by Dieter Schidor and Michael McLernon. Translated by Arthur S.Wensinger and Richard H.Wood. Mnchen: Schirmer/Mosel; New York: Grove, 1983. Hayman, Ronald. Fassbinder, Film Maker. New York: Simon and Schuster, 1984. Katz, Robert. Love Is Colder Than Death. The life and times of Rainer Werner Fassbinder. New York: Random House, 1987. Pflaum, Hans Gnther and Rainer Werner Fassbinder. Das biáchen Realit„t, das ich brauche. Wie Filme entstehen. Mnchen: Carl Hanser, 1976. Le film allemand 1952. Cannes: Festival International du Film, 1952. Film in Deutschland. Eine Dokumentation. Wiesbaden: Verlag Horst Axtmann, 1966. Frisch, Max. Zrich-Transit. Skizze eines Films. Frankfurt am Main: Suhrkamp, 1966. Fritsch, Willy. Ber„ttelsen om en lyckosam karri„r. Stockholm: Ahlen & Akerlunds F”rlag, 1932. Fritsch, Willy. ... das kommt nicht wieder. Erinnerungen eines Filmschauspielers. Zrich, Stuttgart: Werner Classen, 1963. Fritz, Walter. Geschichte des ”sterreichischen Films. Aus Anlaá des Jubil„ums 75 Jahre Film. Wien: Bergland Verlag, 1969. Fr den Aufschwung der fortschrittlichen deutschen Filmkunst. Berlin: Dietz Verlag, 1953. Drews, Berta. Heinrich George. Ein Schauspielerleben. Hamburg: Rowohlt, 1959. Goetz, Curt. Napoleon ist an allem schuld. Stuttgart: Deutsche-Verlags-Anstalt, 1968. Luft, Friedrich. Gustaf Grndgens. Berlin: Rembrandt Verlag, 1958. Hagge, Hans. Das gab's schon zweimal... Auf den Spuren der Ufa. Berlin: Henschelverlag, 1959. Harlan, Veit. Im Schatten meiner Filme. 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